Shrek Review, November 2022 - One Show at a Time

All-singing, all-dancing fun and escapism!

Following their peek into the rehearsal room, BATS’ production is up and running full steam ahead in Basingstoke’s Haymarket Theatre until the 19th November. I was fortunate to be invited to their finished show to see how it fares up to the rehearsal, and it was a colourful energetic performance that brought a huge smile to my face – and many others from gauging the audience around me! Lots of glitter, lots of green, and a set and costumes that look like they’ve come straight from the west end, BATS’ production of Shrek The Musical may not be a west end musical, but is still guaranteed to give you a great night out.

As mentioned in the rehearsal post, a lot of the show was still in the works – there were no costumes, set, or puppets. So seeing all these pieces come together and fill in the gaps makes the show as special as it is. The dragon puppet is fantastic in its own right and under Sally Manning’s direction, once the cast have all donned their costumes, they’re the perfect finishing touches for their wonderful performances from the moment anyone sets foot on the stage. Where else can you see Snow White and a fairy shimmying together?

Leading the cast is Reece Fitzgerald, Louise Travis, Richard Bond and Ben Kennedy as Shrek, Fiona, Donkey & Lord Farquad respectively. They all work splendidly together, bouncing off each other and nailing the comedic timing and bringing real emotion to the more tender scenes. Bond and Kennedy as Donkey and Lord Farquad have wonderful stage presence and easily get the audience on side with their wheeze-worthy humour and having perfected the iconic characters’ mannerisms, making it hard not to love them. Even in scenes where they’re not the main focus of attention, they’re highly entertaining to watch as they react to the scenes unfolding.

Having said this, the show is also very much one which showcases and celebrates the ensemble as much as the named leads. With the ensemble becoming many different characters across one performance, there is no confusion or grey area – they are all fantastic at clearly separating one role from the next, but bringing equal amounts of energy, personality and character to every role they take on in the show.

A special mention also goes out to the younger members of the company – Olivia Kingham, Sophia Newborough, Isla Clarke, Amelia Ellis-Cosgrove, Theodore Hartgill and Ayla Tipp. These young performers split the roles of young and middle Fiona and young Shrek. Though they’re younger than their peers, they all appear completely at ease on stage and comfortable in their roles as if this is something they do on a daily basis, instantly winning the hearts of the audience.

The choreography, courtesy of Luannsa Goodman and Sally Manning is slick and praiseworthy; tap dancing mice, dance breaks galore and high-energy ensemble numbers showing off what everyone can do. With the number of songs the ensemble are all in and the number of dance breaks, it’s remarkable how well they keep their stamina and maintain their energy. In fact, the company as a whole deserve the utmost praise for keeping their enthusiasm and energy sustained from the moment the curtain rises to the moment it comes down again.

BATS’ hard work was already paying off in the rehearsal room and now with the set, costumes and the finessed details all put together, the finished piece is a wonder to watch – a finished show everyone in the company both on and off stage should be proud of for what they’ve put together. Surrounded by an audience of children and adults, it is clear this show has something for everyone; as I was sat watching the show, there were children open-mouthed in awe and adults cackling with joy. Shrek The Musical is an explosion of colour and fun-filled joy; it is the perfect night out for some guaranteed all-singing, all-dancing fun and escapism. Shrek The Musical is the perfect excuse to forget your worries, take a trip to Duloc and let them entertain you so you’re guaranteed to leave with a smile. on your face and a spring in your step.

BATS’ production of Shrek The Musical runs until 19th of November, and word has. tickets are selling thick and fast, so I wouldn’t delay treating yourself, your friends, family – maybe even your pet dragon – to a night out at the theatre.

Leyla Demirel
One Show at a Time

BATS cast of Shrek meet special guests at charity show

The cast of Shrek entertained families at a special charity performance at The Haymarket. BATS secured funding from corporate sponsors Lavazza Professional and The MPC Ltd along with Hampshire County Council to offer tickets free of charge to local charities and community organisations to give them a night to remember.

Some of the cast, including Shrek and Donkey, held a special meet-and-greet for invited guests before the show which is being performed at The Haymarket until November 19.

Photos: Sarah Gaunt, Basingstoke Gazette

Children were given goody bags put together by sponsors The MPC Ltd – a marketing production company from Basingstoke – which included specially designed Shrek water bottles, sweets and snacks.

Claire Hooper and her family were given tickets through Naomi House Hospice.

Claire’s nine-year-old son Olly is one of just 150 children worldwide to suffer from the rare H-ABC, and he receives respite at Naomi House.

Mum-of-three Claire, from Andover, said: “It’s nice to have this family time. We have to think of Olly’s wheelchair and here they have really thought about how to accommodate us which makes it easier. Olly loves all the bright lights and music and we don’t normally have the chance to do something like this.”

Michaela Riley, founder of Basingstoke charity Spotlight said: “It is absolutely amazing. We have got 270 tickets for the show and we have families coming from across the area, as well as military families. It’s amazing, they will leave with a smile on their faces. We are very lucky to have been given this opportunity.”

Mayor of Basingstoke Cllr Paul Miller was also at the event, and said: “This is a unique occasion, a charity show that over 100 families will benefit from. Families that would not normally have the opportunity to experience a night out like this. Shrek is a wonderful show and we all had a wonderful time.”

Emma Marsh, who owns The MPC Ltd with her husband Paul, said she was delighted to sponsor the charity performance, and said: “We support lots of different charities and we know one of the cast members of Shrek and he approached us and asked if we wanted to get involved.”

Ian Moseley, chairman of BATS, said: “With household budgets tightening we were very conscious that a theatre trip is fast becoming a luxury that not all can afford. Therefore, with support of sponsors, we were able to fully fund this extra performance.

“Working with charities, including Spotlight UK and Naomi House, tickets have been allocated to local children and their families who would not normally be able to afford to enjoy a live theatre performance.”

BATS President, Richard Bond as Donkey

He gave a “special thanks” to BATS’ president Richard Bond “for all his efforts in making this invitation happen”.

Families filled the theatre to watch the uplifting musical following unlikely green hero Shrek, who finds himself on a life-changing journey alongside a wisecracking Donkey and the feisty Princess Fiona.

Based on the Oscar-winning Dreamworks Animation film, Shrek the Musical is a Tony Award-winning fairytale adventure that brings all the beloved characters from the film to life on stage.

Led by an all-female team of Sally Manning as director and co-choreographer, Julie Dance as musical director and Luannsa Goodman as choreographer, the show features a cast of more than 30 talented adults and children, who will put on 10 performances until November 19.

Emily Roberts

Shrek Review, November 2022 - Basingstoke Gazette

We all know and love the friendly green ogre Shrek from the film Oscar-winning Dreamworks Animation film. Now, BATS has brought the loveable character to life with its big-budget £75,000 production, set to delight families this week at The Haymarket.

The tale of the unlikely hero Shrek, played by Reece Fitzgerald, follows him on his life-changing journey alongside the wisecracking Donkey and feisty Princess Fiona.

The show was a joy to watch, with colourful costumes, an impressive set, superb singing, hilarious characters, expertly choreographed dancing and a few jaw-dropping surprises.

It is always amazing to see how incredible BATS’ productions are, and Shrek did not disappoint.

Ian Moseley, chairman of BATS, said the show is its biggest budget production in history and this is clear to see from the constantly changing sets including a castle, forest and church to the incredible life-sized smoke-breathing dragon.

However, while this was all impressive, it is the talented all-singing all-dancing cast that made this show yet another triumph for BATS.

There were laughs a plenty for both kids and adults – the burping and farting were guaranteed to have the younger members of the audience in hysterics.

Characters including the short-tempered bad guy Lord Farquaad, played by Ben Kennedy, and Donkey, played by Richard Bond, will have even the most serious in the audience cracking a smile.

Credit must of course be given to the talented Reece Fitzgerald for singing and acting so well with a full green ogre face mask on.

While special mention must go to the incredibly talented younger members of the cast, including Theodore Hartgill (younger Shrek), Amelia Ellis-Cosgrove (young Fiona) and Olivia Kingham (teenage Fiona) who showed real star quality in their performances, and will no doubt have a bright future ahead on the stage.

Louise Travis played a superb Princess Fiona whose character is a far cry from a traditional fairytale princess. She is not afraid to embrace her individuality and flaws and the story is as much about her journey as it is about Shrek’s.

The uplifting performance was a joy to watch throughout and ended on a high with a full cast rendition of I’m A Believer, which had everyone clapping along in celebration.

Emily Roberts

Sister Act Review, May 2022 - NODA

Scenery/Set/Properties: The main backdrop (a large, of stained-glass arches) was most impressive and of the highest quality. There were a variety of scenes inside the Convent (refectory, dormitory, Mother Superior’s office and Confessional) and on the outside, the night club, police station and the street. Some sets were made up using basic properties enabling quick changes to keep the action moving and the props, when necessary, were well used by the cast. There was good attention to detail including a walking stick that lit up which was in keeping with the upbeat nature of one of the songs.

The programme was colour, glossy and of superior quality. There was a message from the Chairman, photos of the cast, some rehearsal photos and details of future productions and auditions. It contained all the necessary information about the show and there was also some information about the group and how to get involved.

Costume/Hair/Make Up: The costumes were brilliant, smart, in keeping with the characters and displayed great attention to detail. Deloris’ ‘fur’ coat, the nun’s habits with ever changing front pieces, pyjamas, Monsignor’s vestments, costumes for night club patrons and people in the street, and even the Pope’s vestments were all authentic. Eddie’s on-stage change from police to ‘Vegas Elvis’ white jump suit and back to police uniform was magnificent and well executed. Most of the cast’s hair was hidden under their nuns’ headdresses but the 70s wigs for Joey, TJ and Pablo were just right.

Lighting, sound and special effects: An excellent use of lighting beautifully brought the stained-glass arches to life during scenes inside the chapel, while effective use of multi-coloured lighting and a glitter ball created the lively nightclub atmosphere. The cast sounded terrific. Sally Manning as Mother Superior was outstanding. She was grounded, note perfect and sang with self-possessed authority. Kirsty Kingham had irresistible energy bringing great gusto to the role, (if perhaps just a little over-amplified in the opening number) In complete contrast, Rhianon Mone’s solo ‘The Life I never Led’ was beautifully sung with innocence and dignity.

The production: This feel-good show was a triumph from start to finish. It was energetic, hilarious and joyful. The show was filled with great moments and the cast shone. The direction and choreography by Louise Travis was excellent, creative and filled with humour; the cast being in synch with the music and each other. The laughter was particularly evident when Joey, TJ and Pablo sang and engaged with the audience; particularly one lady! Luannsa Goodman was cheeky and charming as the exuberant Sister Mary Patrick. Deloris’ journey takes her from selfishness to responsibility and sisterhood and Kirsty Kingham took the audience with her.

This was a well-crafted show with huge talent both on and off the stage. There was a great deal of comedy and a theme of genuine affection and friendship. All in all, a fantastic evening that enabled the audience to leave the theatre with beaming smiles.

Chris Horton
District 14 Regional Representative
National Operatic and Dramatic Society (NODA)

Sister Act Review, May 2022 - It's All An Act

Firstly can I say what an incredible sound this society make! Adam Blosse (Musical Director) deserves a medal for the quality that he has drawn out of this fabulous cast.

The show began with a bang, vocally and visually with Kirsty Kingham (Deloris) providing the lead vocals being back by Kirsty Bennett (Michelle) and Rachel Potter (Tina) and accompanied by the glamorous drag queen dancers Ben Waines and Ben Shallow. We started as we meant to go on.

Joining the ladies on stage was the male entourage bringing a new element to the stage in the form of Paul Morris (Curtis), Richard Bond (Joey), James Young (TJ), Bryn Hughes (Pablo), it was clear that all the males had been given clear direction for their characters as they were all believable and reacted well to each other's character.

The show moves towards the police station where we met ‘Sweaty Eddie’, I mean Eddie Souther played by Ian Moseley. His moustache which was something to be admired - a solid performance from the man throughout the show including his solo.

The time came in the show when we entered the Nuns’ convent and this was where most of the laughter from the audience came from, not just from the script writing but for the comedic timing and facial expressions from every single nun that was on stage. Each nun had their own personality which was clear and shone through and the attention to detail did not go unnoticed.

There are a few nuns that are worth mentioning as they had stand out performances. Sally Manning (Mother Superior) - this hilarious woman never failed to get a laugh from the audience. Rhianon Mone (Sister Mary Robert) portrayed the timid and shy nun character that was expected and sang wonderfully in her solo. Luannsa Goodman played the energetic and excitable Sister Mary Patrick to the letter and filled the stage without fail. Kirsty Kingham (Deloris/Sister Mary Clarence) whether a nun or not, she was the right person for this part and made this character her own with the vocal ability and emotional character portrayed throughout.

On the other side within the convent was Anthony Mitchell (Monsignor O’Hara) with his optimistic Irish charm to complement Mother Superior.

There were a few hiccups with the sound but the cast continued through like professionals, I found that some of the scene changes were a little awkward and distracting from the actors sometimes, but apart from that I must say that the lighting for the show was phenomenal and added a real classy element to the show.

I must finish where I started by saying that this society makes an incredible sound, whether it be full cast, three-part harmonies or solos - the singing made this show.

Jaz Wilson
It's All An Act