Sister Act Is An Uplifting Show That Everyone Could Do With A Dose Of.
Following the rehearsal of Basingstoke Amateur Theatre Society’s (BATS) Sister Act, I was looking forward to seeing the finished show. And it provided the fun, high energy and laugh a minute show everyone could do with a dose with from time to time. Under Lousie Travis’ direction and a cast determined to give audience members a night to remember, the theatre was full of well-deserved applause and cheers by the end of the show, showing gratitude to a company that have worked tirelessly hard to give audiences a good night out and a show to enjoy.
Leading the show is Kirsty Kingham as Deloris, a role with big expectations. Yet Kingham does not let this phase her. Her vocals are incredible, and she is perfectly cast in this role – capturing the cheeky yet loving essence of Deloris the whole way through. She carries the show tirelessly – even more admirable is how she learnt the role in just 6 weeks. Bearing in mind as this is amateur dramatics, that’s not 6 weeks of all day everyday rehearsing, but 6 weeks of a few hours, twice a week. You’d never tell, as Kingham looks as though she was born for the stage and brings Deloris to life wholeheartedly and wins us all over.
Opposite of Deloris, you have Paul Morris as bad guy Curtis, supported by Richard Bond, James Young and Bryn Hughes as his wannabe back up men – Joey, TJ and Pablo. They bring the comedy to the show and never miss the mark with the comedic timing and punchlines. All three are just naturally brilliant by being these comedic characters without having to try too hard. They are very convincing, perfectly finding the line between playing the nice guys who end up with bad jobs.
It can safely be said Sister Act is an ensemble show through and through. The stellar ensemble elevates this show, filling the theatre with their strong vocals and the energy that is palpable from all four corners. In the more full-on numbers, such as raise your voice’ and ‘Spread the Love Around, it’s hard not to get caught up in the show and be rooting for everyone on stage.
It’s amazing to see how far the show has come from the rehearsal I was invited to watch just a few weeks ago. The rehearsal then was something special, but to now see the finished piece filled out with the costumes, set and props was a wonder – the stained-glass windows all beautifully lit up, the nuns habits with the added glitter and glamor as they perform for the pope, Deloris’ epic big and blonde wig…all these details just really pull the show together that bit more.
This may not be a West End company, but the love and support everyone has for each other is unmatched. To see everyone beaming with joy and putting all they have into their performances on stage is nothing short of wonderful, and for that, BATS cannot be praised enough. Sister Act may be rough around the edges at times but given this is a show put on by people in their own free time after their usual jobs, fitting this into their lives as an added extra, they have done themselves proud by creating such a joyous and fun-filled show.
The humongous effort and hard work every person has put in is starkly clear from the first to the final note, and there was never any disappointment watching. Sister Act is the uplifting show everyone could do with a dose of, and BATS has more than provided that.
Leyla Demirel
Dress Circle Antics
Sister Act Review, May 2022 - Basingstoke Gazette
BATS members have faced a tough time preparing for their upcoming performance of Sister Act at The Haymarket theatre, with Covid “severely impacting” rehearsals according to chairman of the amateur theatrical society, Ian Moseley.
However, you would never know this from the incredible performance the hugely talented cast put on. Despite more than two thirds of the cast ill and in isolation for two weeks during March, the team has worked hard to pull together and perfect the production which is set to uplift and delight audiences from May 17 to 21.
It is the second time BATS has staged Sister Act, after wowing audiences back in 2015. The society decided to revisit the successful show as members “find our feet again post lockdowns”, said Ian. Based on the book by Cheri and Bill Steinkellner with music by Alan Menken and lyrics by Glenn Slater, the story is perhaps a familiar one to many who remember the 1992 film starring Whoopi Goldberg.
It follows nightclub singer Deloris Van Cartier (Kirsty Kingham) who is witness to a fatal shooting carried out by her on-off boyfriend Curtis (Paul Morris).
Forced to go into hiding undercover in a convent, Deloris finds friendship and support from the group of nuns. Kirsty Kingham embraced her inner-diva to play a convincing Deloris, adopting her feistiness and sassiness with ease as she strutted across the stage in confidence and belted out the musical numbers with power and emotion. No one will leave questioning her star quality after her rendition of Fabulous, Baby!
However, it is not just the lead roles who shine, with many of the supporting characters also standing out and impressing with their physicality and vocal performances.
The group musical numbers dotted throughout are a joy to watch, expertly choreographed by Louise Travis who is also director. Uplifting, joyous and wildly funny, it’s impossible not to tap your foot along and have a little boogie in your seat when the nuns sing, dance and rap together.
This is juxtaposed with the emotional ballads, including Mother Superior’s (Sally Manning) Here Within These Walls, which feels almost ethereal performed against the beautifully lit chapel set complete with stunning stained-glass windows.
Morris gives a powerful performance as Curtis singing When I Find My Baby and Eddie Southern (Ian Moseley) evokes sympathy in I Could Be That Guy.
The first act finishes on a high with Deloris and the nuns belting out the upbeat Take Me to Heaven.
If the first act was all about Deloris, the second act shines a light on some outstanding performances from several individuals, including Rhianon Mone who plays Sister Mary Robert. Watching her transform from a shy, timid, gentle young girl to a confident, determined and fiercely loyal friend to Deloris, she delivers an incredible rendition of The Life I Never Led.
Perhaps the highlight of the second act (arguably the entire show) was the hilarious performance from trio Bryn Hughes (Pablo), James Young (TJ) and Richard Bond (Joey) who thoroughly entertain in Lady in the Long Black Dress, made extra comical with the super-high-pitched Bee Gees style singing. James Young says he has worked on his physicality for the show and this is evident as his comical timing, expressions and body language bring the character to life.
There is a dramatic climax as the nuns unite in sisterly solidarity to protect Deloris, before ending on a high with the upbeat Raise Your Voice, complete with a particularly impressive dance move performed by one of the nuns which is sure to have the audience laughing out loud.
This feel-good, uplifting show is a real triumph and not to be missed. Or, in the words of Deloris, 'Fabulous, Baby'!
Emily Roberts
Elf - The Musical Review, November 2021, Deputy Mayor, Basingstoke and Deane Borough Council
The performance was anything but Amateur from the minute the curtain went up before a packed house. From the outset we were treated to a polished, professional standard evenings’ entertainment that would rival anything to be seen on a London stage.
The impact of the ‘Elves’ performing at the start of the show set the standard with an innovative display that really captured the audience and set the jolly mood that continued all the way to the final curtain call. The story line was probably very familiar to many of the audience, but it was the delivery of this performance with all the clever innuendos of today’s world that set the cheerful atmosphere we all needed after long months of restrictions.
The quality of the direction and choreography by Louise Travis was first rate and together with an enthusiastic and talented cast they really delivered an excellent show. It was only afterward we were told that the two principals on the night were, in fact, the understudies to the main cast members, but you never would have realised. The professionalism of the cast as a team was also evident when Buddy the Elf lost his ‘voice’ when his headset mic failed, and the smooth way he slipped off-stage to resolve the problem was unnoticed by the audience.
A most enjoyable and entertaining evening with plenty of laughs. Well done and thank you BATS!
Councillor Paul Miller (Deputy Mayor) and Mrs Sandra Miller (Deputy Mayoress)
Basingstoke and Deane Borough Council
Elf - The Musical Review, November 2021, Jane Lewis
What a wonderful start to the Christmas season! Every single member of the cast gave a high-energy and excellent performance.
The costumes and choreography were inspired and overall created a wonderful production. Christmas hats off to the cast and crew! A fabulous cameo performance from the hot dog vendor can’t go unmentioned!
The audience thoroughly enjoyed every single minute and f anyone was wavering in their belief of Santa before the show, they were completely SparkleJollyTwinkleJingley when the left!
Jane Lewis
9 to 5 the Musical Review, November 2019 - NODA
9 to 5, music and lyrics by Dolly Parton, book by Patricia Resnick tells the story what happens when the tables are turned on a sexist, egotistical, hypocritical boss (who’s also a bigot) as three female office workers who are underpaid and undervalued, unite to get revenge. It’s full, friendship, love and bubbling performances, fantastic songs and sparkling performances. From the first few bars of the familiar opening song – 9 to 5 of the title – we know we’re in for an evening of high energy entertainment.
The production: The period feel of a 1980s office was beautifully recreated throughout the evening. There were some lovely performances – particularly from the three women battling to come out on top: Nicola Morrin (as Violet), Millie Clucas (Doralee), Laura Burrell as Judy and Stephen Westwood as Hart, their boss. Sally Manning as devoted secretary and office spy, Roz almost stole the show. The entire cast performed with supreme confidence and professionalism. The choreography by Nick Brannam who also directed, was imaginative and well executed. The songs were performed with warmth, precision and joyful emotion. Although the subject of the show had serious undertones, there was a feel-good approach to it and it was delivered with first class performances, enthusiasm and panache we have come to expect from BATS’ productions.
Millie Clucas as Doralee and Stephen Westwood as Franklin Hart Jr.
Costumes: The costumes were in keeping with period and narrative. There was great attention to detail and the dream sequence outfits were custom-made and of the highest quality. The hair styles complemented the 80s outfits.
Lighting and sound: The lighting was good although I struggle to understand why, on occasion, there was a smoky effect. The sound was generally good but once or twice dipped and made it difficult to understand some characters, especially when dialogue delivery was fast and heavily accented.
Scenery: The stage design was well conceived and of high quality. The backdrops largely pastel in colour and 80s style were very effective as was Hart’s office and the typing pool was realistically recreated. The Xerox machine and car – used for Hart’s kidnap – deserves special mention.
Chris Horton
National Operatic and Dramatic Association (NODA) South East Region, District 14 Representative