Doug Cairns chats about his Priscilla role

By day he wields a welding torch, creating sets for theatrical productions and corporate events. By night, Doug Cairns is currently immersed in the role of outrageous Sydney-based drag performer Adam, aka Felicia, as he prepares to star in the musical Priscilla Queen of the Desert.

“I work by myself a lot, so going to rehearsals is a great way to socialise and actually meet people!” he laughs.

“I think I’m perceived as quite a quiet, thoughtful person so I’m loving bringing out the over-the-top side of my personality!”

Doug Cairns

Doug Cairns

As Adam, Doug gets to wear some astonishingly creative and colourful costumes, alongside fellow performers Bryn Hughes who plays Tick and Ian Moseley as Bernadette.

“I’ve always loved dressing up,” says Doug. “I spent weeks preparing my Queen Victoria costume for my Halloween party at university!”

Doug graduated from Warwick last year with a degree in Theatre and Performance Studies. While there he designed the sets for musicals including Cabaret, Anything Goes and Little Shop Of Horrors, as well as playing lead roles. He also got his first taste of Priscilla.

Doug as Felicia

Doug as Felicia

“I was in the play Trainspotting, which is pretty dark and intense, while Priscilla was being staged in the theatre next door. When we came offstage we could hear the Priscilla band playing upbeat songs like I Will Survive and Colour My World.”

“I then watched the film, loved it, and when BATS announced they were doing the show I was encouraged to audition. I’m so glad I did!”

You can see Doug strutting his stuff in Priscilla Queen of the Desert at the Haymarket, Basingstoke from Wed 14 – Sat 17 and Wed 21 – Sat 24 November. Performances at 7.30pm with Saturday matinees at 2.30pm on 17 and 24 Nov.

All tickets for the opening night are £18.50. For the other performances: £23.50 (adults) £15 (16s and under) - with concessions for students, over-65s and groups. All prices include a booking fee. Buy tickets online.

Priscilla - Mitzi, Bernadette and Felicia visit Basingstoke

We were lucky with the September sun today as our three leads channelled their alter-egos to say hello to shoppers in Basingstoke!

Meet Mitzi, Bernadette and Felicia…

Our three Queens of the Desert donned their colourful "I will Survive" costumes to visit Basingstoke town centre and mingle with the locals.
It took about an hour to transform Ian Moseley into Bernadette for his role in Priscilla Queen of the Desert. Watch it in all in 60 seconds!

Singin' in the Rain Review, May 2018 - Newbury Today

To celebrate their 60th year BATS chose the ever popular Singin’ in the Rain, the story of the arrival of the talkies in Hollywood.  It was told with great wit and humour and provided a great framework for BATS to showcase their considerable talents in a production packed with a host of sparkling musical numbers and gorgeous costumes.

Make no mistake – this is a very difficult musical to stage, calling on the old style musical theatre skills and staging challenges.  BATS did not disappoint – and the cast danced and sang their socks off and the title number was performed on a wet set complete with rain and gushing drain pipes - incredible.

As the silent movie idol Don Lockwood, Bryn Hughes was splendid, with his winning smile and cheeky confidence and his sidekick Cosmo Brown was uber-energetically portrayed by newcomer William Keel-Stocker, in an impressive debut to the society.  Also making her BATS debut was the fabulously voiced Anneka Wass (Kathy Selden).  The three worked well together especially in their challenging routines and Kirsty Bennett as Lina Lamont absolutely nailed the character with her nails-on-blackboard voice and brought great humour to the role.

An excellent ensemble backed the principals and there were many truly memorable moments: Beautiful Girl, Good Mornin’, Singin’ in the Rain and Broadway Melody to name a few. The demands of the principal dancing meant some of the routines were not quite as slick as I would have expected – but still excellent and impressive.

The silent movie style projections were fantastic and director Ray Jeffery and musical director Trevor Defferd got the utmost from the cast, and choreographers Julie Morris and Karen McCloy created some sumptuous, sizzling and well rehearsed routines.  Costumes were amazing in their style (and number of changes) and the lighting and special effects (wind, rain, dry ice – you name it!) were terrific.  All in all this provided a great spectacle to delight the audience and good old fashioned entertainment.  

Trevor Dobson

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