Priscilla Queen of the Desert Review, November 2018 - NODA

Priscilla Queen of the Desert - the musical is an everlastingly popular show full of vibrant, memorable characters and high energy numbers as well as a couple of very emotional ballads It is an observation on love and life as we follow three Drag Queens as they travel across the Australian desert in ‘Priscilla’, their pimped up tour bus. It’s a rich visual display, fast paced, mostly light hearted but we are aware of the darker subject matter beneath.

The production: Director and choreographer, Martyn Knight demonstrated his experience and talent as he drew great performances from the entire cast with his direction and imaginative and impressive choreography. The show was of high energy, especially in the group numbers. There was plenty of vulgar and bitchy exchanges, cheeky one-liners, comic banter and double-entendres between Bryn Hughes (Tick), Ian Moseley (Bernadette) and Doug Cairns (Felicia) – the drag queens. From the explosive opening of Its Raining Men to the finale the evening was packed with absolute show-stoppers. It was fast paced, vibrant and hugely enjoyable. There was non-stop energy, talent and drive from the entire cast.

Costumes: The endless arrays of costumes were glamorous, eye-popping, dazzling and some defying gravity and I cannot imagine how they were stored! They were of the highest quality.

Lighting and sound: The lighting was excellent and imaginatively used. The sound was excellent with voices clear and blended well with the live music. There were some outstandingly strong vocals, particularly from the Divas: Kirsty Bennett, Jade Hollingshead and Anneka Wass.

Scenery: The sets were amazing and were effectively created and of high quality and cleverly designed. Priscilla, the tour bus was well designed and rotated to reveal the insides. There was minimal disruption during the scene changes which were done efficiently, sometimes behind action in front of the curtain.

Chris Horton
National Operatic and Dramatic Association (NODA) South East Region, District 14 Representative

Priscilla Queen of the Desert Review, Nov 2018 - Basingstoke Gazette

In a time when political views have become more divided than ever, it seems that drag queens are leading the way as culture’s moral compass.

For Basingstoke Amateur Theatrical Society (BATS) to choose Priscilla, Queen of the Desert as its next production couldn’t be more timely.

The story follows Tick (Bryn Hughes), Bernadette (Ian Moseley) and Adam (Doug Cairns) as they travel from Sydney to Alice Springs in the Australian outback, in their trusty bus Priscilla.

BATS have transformed the Haymarket into a place of fabulous colour, exuberant dance, extravagant costumes and hit after hit when it comes to musical choice.

irected by Martyn Knight, the musical is very much of the time, when the original Priscilla Queen of the Desert was released in 1994, but this adds to the over-the-top nature of some of the costume designs, which along with the chorography, are real star performers in the show.

Something that BATS don’t shy away from, which in this reviewer’s opinion is important, is the treatment of queer, trans and people of the LGBTQ community in the 90s.

Whether it be Adam getting into a bar fight for dressing as a woman, to having the words “f**k off f****ts” spray-painted on the side of Priscilla, it is a jarring reminder of how far we have come as a society, but also how much more we can do.

With wonderful renditions of hits such as It’s Raining Men, I Will Survive, Hot Stuff, Boogie Wonderland, Go West, and Girls Just Wanna Have Fun peppered out the performance, all three leads had their chance to shine, with Hughes showing a great pair of lungs, Moseley demonstrating lip syncing skills which would make RuPaul proud and Cairns going through so many outfit changes, I lost count.

One thing is for certain the language and subject matter is not for everyone, but the comedy timing – from Cairns in particular – makes up for some of the smut sprinkled throughout the show.

BATS have stuck true to the story that was made famous in the West End and do a great version of it.

Tim Birkbeck

It's the Priscilla show trailer possums!

It’s almost time for us to set off for the outback on 14 November! Catch the cast, director and assistant director, musical director and dance captain in rehearsal for this fabulous musical.

See performance dates and prices for Priscilla Queen of the Desert.

Ian Moseley chats about preparing to play a transgender role in Priscilla

“She’s a wonderful character to play. She’s been through a lot and her hardness on the outside masks her real vulnerability. She’s also got some brilliantly bitchy lines!”

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Ian Moseley

Ian Moseley is rehearsing in heels and a skirt for his role as Bernadette in the production of Priscilla, Queen of the Desert. Bernadette is one of the first transgender characters to appear in a musical and Ian is determined to get his portrayal right.

“Priscilla is one of my favourite shows with its themes of tolerance and acceptance, along with all the fantastic disco songs and spectacular costumes.”

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Ian Moseley as Bernadette

In the show, Bernadette joins fellow performers Tick and Adam on a battered old bus (nicknamed Priscilla) across the Australian outback to perform a show in Alice Springs. Ian says the dynamic between the three is crucial.

“You’ve got the young guy, Adam, whose cockiness and ease with himself hangs off the coattails of the fight for acceptance Bernadette has gone through. It annoys her and their sparring is very funny. She’s much closer to Tick, who’s struggling with telling his son he’s gay.”

Ian and fellow actors Bryn Hughes (Tick) and Doug Cairns (Adam) recently appeared in Festival Place and the Malls in full drag make-up and fabulously over-the-top outfits to promote the show.

“We certainly turned heads! Lots of people wanted a photo with us.”

Ian hopes everyone will open their mind to enjoy this hilarious, heartwarming show when it comes to the Haymarket from Wed 14 – Sat 17 and Wed 21 – Sat 24 November. Performances at 7.30pm with Saturday matinees at 2.30pm on 17 and 24 Nov.

All tickets for the opening night are £18.50. For the other performances: £23.50 (adults) £15 (16s and under) - with concessions for students, over-65s and groups. All prices include a booking fee. Buy tickets online.

Dance captain James Young puts the Priscilla cast through their paces

I Will Survive, Don’t Leave Me This Way, It’s Raining Men...all classic disco songs that feature in the hilarious, heartwarming musical Priscilla, Queen of the Desert. Making sure every dance step, arm flick and hip thrust is right on the button is the responsibility of James Young, who is dance captain for the production.

“The cast are doing a great job,” says James. “They’ve picked up the routines really well. Now I’m being extra picky to make sure they look amazing!”

Headshot of James Young

James is very passionate about Priscilla, Queen of Desert, the story of a Sydney-based performing trio who drive a ramshackle bus across the Australian outback to Alice Springs, finding love, hostility and a few surprises along the way.

“Yes, the show is fun, colourful and a great night out, but it’s also a story of friendship, acceptance and getting through tough times.”

James has been dancing since he was seven, starting with tap and moving onto modern, jazz and ballet. He got his BTEC National Diploma in Performing Acts at Queen Mary’s College and now works with young children as a room leader in a preschool.

As well as dance captain, James is also dancing in the show. He says Priscilla is a great release from a stressful job. “Yes - and what I’m most looking forward is the band call, when all the musicians come together for the first time. You’ve been working in rehearsal for so long with just a keyboard, you can forget just how amazing these songs are! It takes the show to another level, then once you add the amazing costumes, this show is just going to be spectacular!”

Priscilla runs at the Haymarket, Basingstoke from Wed 14 – Sat 17 and Wed 21 – Sat 24 November. Performances at 7.30pm with Saturday matinees at 2.30pm on 17 and 24 Nov.

All tickets for the opening night are £18.50. For the other performances: £23.50 (adults) £15 (16s and under) - with concessions for students, over-65s and groups. All prices include a booking fee. Buy tickets online.